William Morris Archive

  1. "Roman Renaissance," Stones of Venice, III, in The Complete Works of John Ruskin, XI, ed. E. T. Cook and Alexander  Wedderburn, Library Edition (London: George Allen, 1903), p. 66.

  2. Essays and Introductions (New York: Macmillan Company, 1961), p. 60.

  3. The Pound Era (Berkeley: University of California Press, 1971), p. 174.

  4. A Note by William Morris on His Aims in Founding the Kelmscott Press: Together with a Short Description of the Press by S. C. Cockerell, & an Annotated List of the Books Printed Thereat (Hammersmith: Kelmscott Press, 1898), p. 3.

  5. Erotic Murders: Structural and Rhetorical Irony in William Morris' Froissart Poems," Victorian Poetry, 3-4 (1975), 17-19.

  6. Dahl, Curtis. "Morris's 'The Chapel in Lyoness': An Interpretation,"Studies in Philology, 51 (1954), 482-491.

  7. E. D. H. Johnson in The Alien Vision of Victorian Poetry: Sources of Poetic Imagination in Tennyson, Browning, and Arnold (Princeton: Princeton University Press, 1952) provides the classic statement of this assumption of social responsibility.

  8. The Autobiography of William Butler Yeats (New York: Macmillan Company, 1953), p. 70.

  9. Essays and Introductions, p. 519.

  10. W. B. Yeats, John Eglinton, AE, and W. Larminie, Literary Ideals in Ireland (London: T. Fisher Unwin, 1899), p. 36.

  11. "Mr. Rhys' Welsh Ballads," Bookman, 14 (August 27, 1899), 14-15.

  12. See Dorothy M. Hoare's The Works of Morris and Yeats in Relation to Early Saga Literature (Cambridge: Cambridge University Press; Toronto: Macmillan, 1937) for a detailed comparison of Yeats and Morris' treatment of legend.

  13. The Identity of Yeats (New York: Oxford University Press, 1954), p. 72.

  14. The Spirit of Romance (New York: New Directions, 1953), p. 222.

  15. Literary Essays of Ezra Pound (New York: New Directions, 1954, p. 12.

  16. N. Christoph de Nagy's The Poetry of Ezra Pound: The Pre-Imagist Stage, Cooper Monographs on English and American Language and Literature (Bern: Francke, 1960) specifies which early Pound poems hark back to Morris.

  17. "Of Modern Landscape" in The Complete Works of John Ruskin, V, p. 333.