Early Morris Poems: The Night-Walk: Night lay upon the city
The Night-Walk: Night lay upon the city
Pub. AWS, I, 525-29.
Draft in B. L. Add. MS 45,298A, ff. 41-43v, in what may be Morris's hand; see 3.
The Abbey and the Palace: Standing away from the cornfields This and nos. 4-9, 13, 14, and 16-18 below are all written in a large, loose, symmetrical script, quite different from that used by the copyist of "The Mosque Rising in the Place of the Temple of Solomon" (formerly known as "The Dedication of the Temple"), a poem which May Morris received in the same batch of poems from her niece Effie Morris in 1921, and which she describes as written out "for or by" her aunt. May Morris apparently hesitated to identify her aunt's handwriting, but at least did not assume that the very different "Fame" script was hers. The uncertainty is resolved, however, by the one surviving Emma Morris letter (to her niece Jenny, 1887, William Morris Gallery MS J77), written in the script of "The Mosque Rising" copyist. Emma was not the copyist for "Fame" or the other poems in the same handwriting which were found in her drawer; other possibilities include Henrietta Morris or Morris himself. Morris's handwriting varied widely; although the handwriting of "Fame" is less compressed than that of the Fitzwilliam early script, the capital letters are similarly formed. May Morris often mentioned whether drafts were in her father's hand, but here said nothing. See also the note on 10. |
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Pub. AWS, I, 525-29.Night lay upon the city It fell on many faces It fell on faces, bloated It fell on hungry faces From light to light went flitting It was a woman walking She walked on fast and faster [526] She walked on nothing heeding Her eyes they looked so fearful, Her teeth were clenched together, Her dress was torn and ragged, On one of her closed fingers Between closed teeth she mutters, She says, and walks on faster "The fearful, dusky houses [527] "They would not hear my singing "They told me that the flowers "The sedge-flowers there are yellow, "And yet, the terrible houses, She walked, till the streets grew thinner When the houses ceased, their weeping She walks on, dreaming, dreaming, About her hair that was golden [528] She thinks not of the hours There is an old, old garden, And many, many lilies And the house stands very quaintly And a lawn from the garden lyeth, There all alone she sitteth She singeth and her singing The light shows through the windows [529] Between the lilies and the limes I think the leaves will bury her, |