Articles on Morris's Early Writings

Articles from The Journal of William Morris Studies

Baïssus, J. M. "Morris and the Oxford and Cambridge Magazine."JWMS 5.2 (Winter 1982): 2-13

Dewan, Pauline. "Patterns of Enclosure in Morris's Early Stories."JWMS 11.2 (Spring 1995): 9-11

Fletcher, Chris. "A Rediscovered and Partly Unpublished Morris Notebook."JWMS 14.3 (Winter 2001): 12-20.

Timo, Helen. "A Church Without God: William Morris's A Night in a Cathedral."JWMS 4.2 (Summer 1980): 24-31.

Other items on the Early Writings

Letter in Which Morris Discusses His Early Poems (May 1st, 1891)

Boos, Florence S. "The Structure of Morris' Tales for the Oxford and Cambridge Magazine." Victorian Periodicals Review 20 (1987), 2-12.

Gordon, Walter K. "Pre-Raphaelitism and The Oxford and Cambridge Magazine." Journal of the Rutgers University Library 29(1966), 42-51.

Hosman, Robert Stahr. "The Germ (1850) and The Oxford and Cambridge Magazine (1856)." Victorian Periodicals Newsletter 4 (April 1969), 36-47.

Hosman, Robert Stahr. "The Oxford and Cambridge Magazine." British Literary Magazines: The Victorian and Edwardian Age, ed. Alvin Sullivan. Westport, Conn.: Greenwood Press, 1984, 294-302.

Le Mire, Eugene D., ed. Introduction, The Hollow Land and Other Contributions to the Oxford and Cambridge Magazine. Bristol: Thoemmes Press, 1996.

Purkis, John, Morris, Burne-Jones and French Gothic, London: William Morris Society, 1985, 1991.

Whitla, William. "William Morris's 'The Mosque Rising in the Place of the Temple of Solomon: A Critical Text.'" Journal of Pre-Raphaelite Studies 9 (Summer 2000), 43-82.

Whitla, William. “'I Learned Next to Nothing There': William Morris at Marlborough College." Journal of Pre-Raphaelite Studies 26 (Spring 2017), 50-100.

The Oxford and Cambridge Magazine

Rossetti Archive introduction and selections, 1856. Enter Oxford and Cambridge Magazine into search engine; background information on each issues is provided by P. C. Fleming.

The Oxford and Cambridge Magazine, 1856

Table of Contents: Oxford and Cambridge Magazine, copy marked by Vernon Lushington (courtesy of David Taylor)