The Early Poems of William Morris
Before The Defence of Guenevere, with a checklist of Poems and Prose
Edited by Florence S. Boos
INTRODUCTORY MATERIALS
Preface: William Morris's Earliest Poems: Preparation for The Defence of Guenevere
Early Poems and Poetic and Prose Fragments including those not published in his lifetime
MANUSCRIPTS
Beinecke Library MS. 1595
- "The Sleeve of Gold"
- "Fair Catherine"
- "About the middle of the month of June"
- "That summer morning out in the green fields" [discarded opening of Defence of Guenevere],
- "The Maying of Queen Guenevere"
- "I am not now afraid of God"
British Library Additional Manuscript 45,298A
- "Untitled" ("Torches and waxlights quickened in the Hall")
- "Untitled" ("Begun October 15th, 1875")
- "She and He" (The blossom's white upon the thorn/The lily's on the lea)
- "State Aided Emigration in 1889" (Lo tim on the rollers all ready for sea)
- "As this thin thread on thy dear neck shall lie,"
- "The doomed ship drives on helpless through the sea,"
- "Near but Far Away" (She wavered, stopped, and turned; me thought her eyes,)
- "May Grown-A Cold" (O certainly, no month this but May!)
- "Lonely Love and Loveless Death" (O have I been harkening/To some dread newcomer?
- "Everlasting Spring" (O my love my darling,/what is this men say)
- "Hope Dieth: Love Liveth" (Strong are thing arms, O love, and strong/thy heart to live, and love, and long;)
- Song: "Twas one little word that wrought it"
- Song: "Our Hands Have Met"
- "Silence and Pity" (Thy lips my lips have touches no more may speak / The words that through my sorrow used to break)
- "Rhyme Slayeth Shame" (If as I come under her she might hear/ If words might reach her when I go away)
- "Why Doest Though Struggle" (Why dost thou struggle, strive for victory)
- "Fair Weather and Foul" (Speak not, move not, but listen, the sky is full of gold,)
- "O far away to seek, close-hid for heart to find,"
- "O land sore torn and riven"
- "We loosened from the quays on a Friday,"
- "Thus have I told many ways of the dealings of prudence with men"
- "Peevish and weak and fretful do I pray"
- "Dramatic fragment containing King, Oliver, Sir Walter, and Yoland (Well put thy case and more than one of us)"
- "Thou hast it then the pouch,"
- "Sad-eyed and soft and grey thou art, O morn!"
- "So I rose and felt my feet on the daisied grass in a while,"
- "Alone and unhappy by the fire I sat,"
- "Deep Sea, Might Wonder" (from "Earth the Healer, Earth the Keeper," copyist version 1)
- "The Man Who Never Laughed Again" (rough pencil draft)
- Unidentified fragment of draft ("Moreover in that time and place...")
For transcriptions of these poems, click here.
British Library Additional Manuscript 45,298B
- "The Story of Orpheus and Eurydice" (copyist version)
- "Autograph Poems"
- "Earth the Healer, Earth the Keeper" ("So swift the hours are moving / Unto the time unproved")
- "The Mother Under the Mould," copyist version, ("Svend Dyring rode on the island-way / Yeah have not I myself been young")
- "State-Aided Emigration in 1889," copyist version, ("Lo trim on the rollers all ready for sea")
- "The Doomed Ship," copyist version, ("The doomed ship drives on helpless through the sea,)
- "Near But Far Away," copyist version, ("She wavered, stopped, and turned; methought her eyes,")
- "Everlasting Spring," copyist version, ("O my love my darling, / what is this men say")
- Song: "Twas one little word that wrought it," copyist version
- "As this thin thread on thy dear neck shall lie"
- "Silence and Pity," copyist version, ("Thy lips my lips have touched no more may speak / The words that through my sorrow used to break;")
- "Rhyme Slayeth Shame," copyist version, ("If as I come under her she might hear, / If words might reach her when I go away")
- "Why Dost Though Struggle," copyist version, ("Why dost thou struggle, strive for victory)
- "Fair Weather and Foul" ("Speak not, move not, but listen, the sky is full of gold,")
- "O Far Away to Seek" ("O far away to seek, close-hid for heart to find,")
- "Peevish and weak and fretful do I pray," copyist version")
- "Dear God praise thee much more many a thing," copyist version
- "Deep Sea, mighty wonder," copyist version 2, (from "Earth the Healer, Earth the Keeper")
- "Sad-eyed and soft and grey thou art, O morn!" copyist version
- "Alone and unhappy by the fire I sat," copyist version
- "They have no song, the sedge is dry," both autograph manuscript copyist versions
- "Three Chances and One Answer," copyist version, (O love, if all the pleasures of the earth)
- Song from Orpheus: "While agone my words had wings," copyist version
- Song from Orpheus: "O ye who sit alone and bend above the earth," copyist version
- Song from Orpheus: "Once a white house there was," copyist version
- Song from Orpheus: "O if ye laugh, then am I grown," copyist version
- Song from Orpheus: "O my love how could it be,"
- Song from Orpheus: "O hollow image of the very death," copyist version
- Song from Orpheus: "O love, love, love, folk told me thou wert dead," copyist version
- Song from Orpheus: "O hollow image of the very death," copyist version
- "The Man who Never Laughed Again," copyist version
For transcriptions of these poems, click here.
British Library Additional Manuscript 74,255
Fitzwilliam Library, Cambridge, Manuscript 2, Autograph Manuscript of fragments of 5 poems:
- "Why do they make these lists in the Great Square"
- "The Man Born to Be King"
- Prose Romance, "The Green Summer"
- "The Lady of the Wasted Land"
- "The Lady of Havering"
Fitzwilliam Library, Cambridge, Manuscript 3, Autograph Manuscript of fragments of 7 poems, 1 prose fragment:
- "A time there was in days long past away"
- "We have done all that men could do"
- "Once my Fell Foe Worsted Me"
- "Listen good folk to my rhyme"
- Beginning of "Lady of the Wasted Land"
- "Saint George"
- "Lady of the Wasted Land," prose fragment
- "The Cruel Stepmother," ballad
- "Lord Malstrom," ballad
Fitzwilliam Library, Cambridge, Fitz. 3 (14/1917), Autograph Manuscript:
- "The Willow and the Red Cliff" (typescript)
- "Funeral of the Duke of Wellington"
- "Fair Catherine made as if she rowed" (Sleeve of Gold)
- "the good Sir Richard slept right fast"
- A discarded lyric for Bellerophon in Lycia
- Notes for the illustrations of Sigurd the Volsung
Fitzwilliam Library, Cambridge, Manuscript of Phillis M. Ellis, Manuscript of 2 Morris poems:
- "There were not ten men in all the house,"
- draft for an introduction to "The Story of the Flower" (see Unpublished Romances).